John Fekete Distinguished Lecture

The annual John Fekete Distinguished Lecture series was established in November 2011 and inaugurated in November 2013 by the Cultural Studies PhD Program to honour John Fekete on his retirement from Trent in 2012. The idea of the lectureship is to invite distinguished visitors to the university to share their most recent or forthcoming publications that are influential and important in the field of cultural inquiry.

Art & Artifice: Or, What AI Means for Aesthetics

Dr. Shane Denson

Professor, Stanford University

  • calendar icon
    Thursday, November 6, 2025
  • time icon
    7:30 pm - 9:00 pm
  • location icon
    Bagnani Hall, Traill College, 315 Dublin St, Peterborough, ON K9H 0C3

Lecture Abstract 

The rapid spread of generative AI tools has sparked urgent debates about ethics, governance, and even existential risk. These concerns are real, but they often miss a prior and constitutive dimension: the aesthetic. In this talk, I argue that no adequate understanding of artificial intelligence—and no robust AI ethics—can be developed without sustained attention to the aesthetic forms through which AI enters human experience.

Today, many critical responses to AI focus on transparency, bias, or political economy. Yet when machine learning systems generate images, sounds, and texts, or when they infiltrate experience in subtler ways, they reshape foundational lived relations to the sensible world. Aesthetics is not merely a matter of artistic style but of the mediation of experience itself—a matter of the ways we sense, interpret, and imagine.

Accordingly, to speak of “AI aesthetics” is to invoke both aesthesis—the broad field of perception and sensation—and aesthetics in the narrower sense of artistic form. Both are crucially at stake in today’s machine-learning algorithms. AI systems like Midjourney, DALL-E, or GPT-5 not only generate potential artworks but also make otherwise invisible computational processes indirectly perceptible and actionable; in so doing they insinuate themselves into the fabric of experience and reshape the very conditions of perception. In this sense, aesthetic forms are not secondary embellishments but essential mediators of how AI becomes intelligible to us—as well as crucial vectors with respect to who “we,” as perceiving, deliberating, and agential subjects, are. By analyzing artworks that grapple with these new technologies, I show that AI aesthetics is foundational to the cultural, political, and ethical challenges now unfolding. 

About Dr. Shane Denson

Shane Denson is Professor of Film and Media Studies and, by Courtesy, of German Studies and of Communication at Stanford University, where he also serves as Director of the PhD Program in Modern Thought & Literature. His research interests span a variety of media and historical periods, including phenomenological and media-philosophical approaches to media arts, film, digital media, and serialized popular forms. He collaborates with Karin Denson on generative media art projects and is a founding member of the non/phenomenal collective. He is the author of Bride of Frankenstein [film|minutes] (Lever Press, 2025), Post-Cinematic Bodies (meson press, 2023), Discorrelated Images (Duke University Press, 2020) and Postnaturalism: Frankenstein, Film, and the Anthropotechnical Interface (Transcript-Verlag, 2014) and co-editor of several collections: Transnational Perspectives on Graphic Narratives (Bloomsbury, 2013), Digital Seriality (special issue of Eludamos: Journal for Computer Game Culture, 2014), and Post-Cinema: Theorizing 21st-Century Film (REFRAME Books, 2016).

Generously sponsored by:

Cultural Studies PhD and MA programs, John Fekete Speakers Support Fund
Cultural Studies Undergraduate Department Centre for Theory, Culture, and Politics
Traill College, Media Studies Program
Bachelor of Arts and Science Program 
Political Science Department